RACES AT THE FORUM

 2 CDR
Label: Breakdown 777 A/B
Country: Japan.
Released: February 2020.
Recorded: Live At The L.A. Forum, Inglewood, CA, USA March 3rd 1977.
Sound: Excellent audience recording.
Comments:  Another bootleg with the L.A. Forum concert on March 3rd. 1977. Recorded by Mike Millard, and now out on a handful bootleg cd's.
This 'Mike Millard' tape saw daylight recently, and in a couple of weeks, a handful cd bootlegs was released. A nice and complete concert.
Have in mind that a 'silver pressed' bootleg will have a better value. This 'Breakdown' is a CDR production.
Roots: Audience recorded tape. Taped by Mike Millard.  
Time:  

Front cover
 CDR ONE
 01. Intro: 'A Day At The Races' Theme  (tape)
       Tie Your Mother Down
 02. Ogre Battle
 03. White Queen
 04. Somebody To Love
 05. Killer Queen
 06. The Millionaire Walt
 07. You’re My Best Friend
 08. Bring Back That Leroy Brown
 09. Sweet Lady
 10. Brighton Rock
 11. ’39
 12. You Take My Breath Away

 CD TWO
 01. White Man
 02. The Prophet’s Song
 03. Bohemian Rhapsody
 04. Stone Cold Crazy
 05. Keep Yourself Alive
 06. Liar
 07. In The Lap Of The Gods (Revisited)
 08. Now I’m Here
 09.  Rock 'n' Roll Medley ~
       Big Spender ~
       Jailhouse Rock ~
       Saturday Night's Alright For Fighting ~
       Jailhouse Rock  (ending)

 10. God Save The Queen  (tape outro)


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Back cover




From the Internet

From the Queen 77 American Tour First Leg, the Los Angeles “LA Forum” performance on March 3rd will be the first appearance of a long-awaited complete song recording of all concerts! Until now, there were only incomplete ones that were not recorded in the opening and the second half, but the full version finally saw the day with the high-quality audience recording master with the legendary tapered “Mike Millard” sound source.
Unlike the US tour of the late 1977, it was still before the release of the album “News of the World”, and the US tour of this time with the set list up to the album “Brilliant Race” is valuable and incomplete for many years It is the emergence of a collector’s attention excavation sound source that will be the definitive edition of the performance!