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FROM INTERNET.
Brush up legendary name recording that was once known as sound board. It is
a permanent preservation press appeared in 2CD.
That legend recording is
sucked in "December 7, 1978 Chicago performance". It is a superb audience
recording that conveys the North American version of "JAZZ TOUR" that
produced "LIVE KILLERS". This recording was a treasure of the core mania
rather than a standard for a long time. Usually, mania's hidden treasure has
difficulty in sound quality, but this work is the reverse. It was recorded
as a sound board from the core which was too on and cooked detail, and
unobtrusive audience noise, and the core mania was recorded as an outsider
because of its wonderfulness.
However, I can not stay anonymous as long
as I can not get out of recording. As time went by, I experienced with one
more person, spreading its wonderfulness and spreading.
Although it is
such a legendary recording, what was regarded as the highest peak was
digitized directly from Omoto cassette. In our shop was the treasure master
I introduced as "THE ULTIMATE ENTERTAINER" once. This work is a live album
of the highest peak renewal of its top vertex master with the latest,
meticulous remastering.
Before the shocking sound, first of all the show
position. Let's check from the big picture of wonderful "JAZZ TOUR
1978-1979".
● 1978
· October 28 - November 14: North America # 1
(12 performances)
"November 14 Release of" Jazz "(Japan / North America)"
· November 16 - December 20: North America # 2 (23 performances)
● 1979
· January 17 - March 1: Europe (29 shows)
· April 13 - May 6: Japan (15
shows)
"June 22" LIVE KILLERS "released"
· August 18: West Germany (1
performance)
This is the outline of the world tour that
fascinated the world. Traditional masterpiece "LIVE KILLERS" was produced
from the European tour of the early 1979 at around 40 years ago, but this
work is before that. It was a concert that was the 15th performance of
"North America # 2" at the end of 1978.
And the sound that recorded such
a show is overwhelming. As stated earlier, the vigorousness of the extreme
core that passed through as a sound board even between the core and mania is
outstanding, and the freshness that digitized Omoto master is also ultimate.
Although it was able to taste that super light sound even with the
conventional board, this work has given further thorough treatment. Of
course, I am not doing an unnecessary money like misrepresenting with
meaningless sound pressure creation. Although the original sound is the
truth itself of Mr. Omoto, there was a problem with the sense of stability.
The pitch is randomly out of order, sound pressure is also unstable.
Furthermore, the stereo balance was biased to the right channel too much.
Among them, the stereo feeling is caused by the recording position (the
third row in front of the left speaker), but it is still more comfortable
for the live album to be well-balanced. In this work, we identify all these
drawbacks and carefully adjust it in minutes and seconds. As a result, it
sounds better with omissions and clears.
I realized a thin sound also in
the super masterpiece "DEFINITIVE MONTREAL 1978 (Wardour-157)" which was
even the treasure of the QUEEN audience.
Then, the truth of 1978
truth that is true of the lies because it is an audience is drawn with the
sound that updated the highest peak ever. Actually, this show is also known
as one of the tone of vocals. "Let Me Entertain You" Singing a low line at
all times, even in the last of "Somebody To Love" it is quite frustrating.
"Get Down, Make Love" also seems to be dying, and call & response of "Now
I'm Here" also does not reach the usual overwhelming power, and the voice is
faint and turned inside out in the middle. But there was a reason for this.
Actually, the door broke down in the dressing room of the Chicago stadium
where it became the site. It was frozen in cold weather in Chicago in
December.
For that reason QUEEN's people are cold all over until just
before they go up to the stage, they are trembling trembling. As a result,
not only Freddie but also Brian's chorus has become a nasal voice.
Besides, bad luck continues, up to equipment trouble after "Somebody To
Love". Freddie says "I'm sorry to have kept you waiting because it was an
electrical problem, but we will not bore you guys. Let's get started!" If
you return the opposite, the sound of this work is missing enough to know
exactly one word of nasal voice and MC, it is not only that.
Although
the treble does not stretch, the utterance itself is powerful, really
energetic. It is the first time in the world that the appearance of blowing
back the cold and running around the stage narrows down to the eyes. It is
not uncommon for Freddie to play "Do not Stop Me Now" as an intro of "Spread
Your Wings" and that "Spread Your Wings" makes Brian hear a wonderful guitar
solo that feels good.
And I wonder if the body has gotten even warmer
enough to warm up, we can afford to skip the joke. When finishing "Dreamers
Ball" and entering the acoustic corner, Brian said "Because the remaining
members (Roger and John) are disliked and disliked, Freddie and two people
must keep it," Freddie said " , As long as they are blowjobs, we are the
only ones! " And when "Love Of My Life" finished and Roger & John came back
to the stage, Freddie said "Fa ○ thio was okay?" Brian says a little while
"Ah, you are laughing". A show that raises your condition from a freezing
show and relaxes. You can enjoy plenty of it with superb sound.
Originally, even if you can not listen to 'LIVE KILLERS' 'If You Can not
Beat Them', 'It's Late' and 'Fat Bottomed Girls' should also be used, but
even better it sounds awesome and uniqueness The mood is too tasty. Rather
than saying this live edition "LIVE KILLERS", the live version of "LIVE
KILLERS" is a suitable live album. It is regrettable that the "We Are The
Champions" ending is missing as well as the previous episodes, and "God Save
The Queen" fades out in about 20 seconds, but it is unavoidable beyond the
fact that it is not in the Omoto master. A masterpiece full of plenty of
sounds that are enough to push it and live that makes QUEEN even more
familiar. Please enjoy yourself forever with permanent preservation press
2CD forever.
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