SPACE TOUR 1982” which was skipping well. It is the appearance of a
masterpiece live album that conveys the scene.
What is sealed in this work is “Kassel Performance
May 18, 1982”. It is a part of the European tour which took place before
“HOT SPACE” was released. This European version is also known for the fact
that a number of nominations have been recurred, but West Germany is
particularly terrible. In this week’s simultaneous release “HAMBURG 1982
(Uxbridge 801)” commentary, we introduced the whole world tour so let’s zoom
in to the European schedule in more detail.
· April 9th - 12th: Scandinavia (3
April + 17th: Switzerland (2 performances)
· April 19th + 20th: France # 1 (2 performances)
· April 22 + 23: Belgium (2 shows)
· 24th April + 25th: Netherlands (2 performances)
· April 28 + May 1: West Germany # 1 (2 shows)
· May 3rd: France # 2 (1 performance)
· May 5th – 10th: West Germany # 2 (5 shows)
· May 12th + 13th: Austria (2 shows)
· May 15 – 29: West Germany # 3 (5 shows) ← ★ Coco
“May 21” HOT SPACE
· May 29 –
June 5: UK (4 shows)
This is the early stage of “HOT SPACE TOUR”.
Although it is circulating around each country finely, the main is obviously
West Germany. All twelve performances over three times were three times as
much as the home country UK. QUEEN was popular too much, but that enthusiasm
also invoked the audience. In our shop we have reported with masterpiece
such as “FRANKFURT 1982 (Wardour – 188)” and “West Germany # 2” “WURZBURG
1982 (Uxbridge 781)” of “West German # 1”, but this week it is “West Germany
# 3” . “HAMBURG 1982” at the same time was the 2nd performance of “West
Germany # 3”, and the Kassel performance of this work was a concert that was
the 3rd performance.
Such a work is a spectacular audience recording
representing the latter part of the European tour. “HAMBURG 1982” was a
vintage style like a little mania, but this work sounds soaked comfortably
by everyone. There is no mistaking type as a sound board, but a strong core
reaches strongly, thick sounds do not hide details. Although the presence of
this show ‘s recording was known for a long time, this work is its highest
peak. It digitized directly from the rouge cassette which was discovered by
overseas QUEEN researcher, it is much brighter than before. Each buddha’s
vigor cleverly, the base line stands out clearly. Of course Brian’s guitar
is also brilliant, and Freddy’s singing voice knows lyrics as well.
And the important thing is the big performance
performed with that sound. It is Europe in 1982 where a good show was
spreading everyday, but this day the tension is high in addition to the best
condition. Although the performance is also crispy, Freddie is also
prominent. Because I was on holiday the previous day, my voice grew neat and
tight and I was fine. The tension is also high, “Yeah eahhhhh !! This is
Staying Power!” “Say Cool Cool Cool Cool Baby !!!” is blown off. “Somebody
to Love” Intro also singing with deep vivalat, growing powerfully
everywhere. It is also a sound that makes sense for such a great sensation
with a sense of resistance.
And more interesting is “Sheer Heart Attack”.
Normally it will be a highlight in the final stage of the show, but this day
suddenly appeared in the second song following “The Hero”! Although it is a
compact version that cuts three minutes, I was surprised to see it jumped
out when I thought “I’m feeling well” from the performance. Perhaps it is a
surprise inserted because the West German schedule is massive, but the venue
is surprised and the tension rises at once. And it is terrible since the
tension will not fall afterwards. It is a masterpiece that the best
performances are pulling up to Guyugui and the concert as it is.
It is a must-read live album that jumps to the
surprise of “Sheer Heart Attack” in West Germany in 1982 caught in
masterpiece recording. A commodity that can be immersed in the best show
riding in the low genre sound that the researcher found out. By all means,
please enjoy it to your heart’s content.